Curious as to why the decision to go to the “no holds barred” approach to songwriting is coming about now. Does it have anything to do with aging and wondering how long you’ll continue to do this at such a speed? With wanting to “get it out of your system” or “do it to say you did it” so to speak? -Chase

MURRY: The songs are autobiographical and honest, and so they get the head-on treatment both in the writing and the playing. We tend to sound like this every night anyway, so it’s nothing new to our ears, at least.

What’s your favorite song to play from this record? -Daniel

KEN: “Guadalajara.” Surf guitar. I hope it moves into the set list. We have’t played it live yet.

MURRY: So far it’s been between Intervention and Nashville… once we get going, I can’t wait to get into “Guadalajara” and “Most Messed Up” and a heavy live version of “Longer Than You’ve Been Alive.”

What’s the best part about making a record, and on the flip side, what the most messed up thing about making a record? – Sarah Chastain Siener

MURRY: The best is making a song better than it was, and hearing a new song back for the first time ever, and that first moment when you realize what the “sound” of the record is going to be. And I have to say… the period between finishing an album, but before it comes out, is probably my favorite period—it’s just so full of hope and potential, like the days leading up to Christmas.

KEN: Getting together with everyone in one place is fun. We had a great time in both El Paso and Woodstock when we were working on Too Far. Every night after the session we watched this 8-hour Beatles documentary.

Worst part of making records by far for me is that most of my real work takes place on the back end, after they are done. I usually feel out of place when I’m actually recording with the guys.

Did you guys let Ken sing lead again?? – Ari Kirsch

MURRY: Not this time. Ken has some real nuggets though, that hopefully we’ll all hear over time. On this one, since it was Rhett singing about Rhett, we all wanted him to have a longer arc to get it all out. That’s why I show up only once this time around.

How many f-bombs are dropped on the album? -@zuanne

MURRY: Like, a billion?

Are you going to release any “clean” or “bleeped” versions of songs with naughty words so they can get radio play? If not, why not? -Kenster999

MURRY: There is a clean version that the radio stations got. The words don’t bleep, they just drop out. I haven’t heard one of those yet—will be weird to hear it like that.

Who decides where y’all go on tour? -Sandi Jo Kennedy

MURRY: We have a booking agent that knows where we like to go and where we don’t as much, which makes him a genius. And yes, we tell him what works and what doesn’t, but he has great ideas, too, and we usually try just about every one at least once.

Does touring get easier or harder as the years go by? How do you pass the time while touring now as opposed to in the past? Does social media / technology make traveling more tolerable? -Julie Strehle

MURRY: I LOVE TOURING. I miss my family and all that, but I love it. Computer time is my favorite way of passing the many hours of waiting. Lots of music listening. The other guys like video and board games.

KEN: I still like touring. It’s especially better when we are in a bus, which is about half of the tours. We watch movies together (typical boy stuff, Lebowski, Office Space, Idiocracy, Dazed and Confused, Jackass and yes we have synched up Dark Side with the Wizard of Oz), play board games (Power Grid is the all time favorite—Google it), and just eating breakfast are all things I like doing with the guys. My Facebook posts go from about one a week to daily on tour just because of boredom. We used to play tons of XBOX and Playstation. For years we had either a Madden or FIFA tournament pretty much every night. But that was when Noah, our old merch guy (East Side Pies in Austin—Google it) worked for us. Now it’s this and that. We had a huge stint about two years ago with Marvel vs. Capcom.

What’s your favorite town to perform in?

KEN: The Big Apple. I grew up on a dead-end oil road in a forest in East Texas. The idea of just visting New York City, much less playing a big sold-out show there, was pretty far fetched. It still gives me a feeling of accomplishment every time we play there.

Will there be any songs that you haven’t played in a while that you will be playing on the new tour? -Wil Watkins

MURRY: Can’t say, but there usually is. Don’t know which ones yet… they all get some time eventually.

KEN: There aren’t too many songs that don’t get touched on every tour at least a time or two. I have a few songs I’d like to get back into playing. “Going, Going, Gone,” “Marquita/Bright Spark” “The Easy Way,” “Bird in a Cage” and “Color of a Lonely Heart is Blue” are all fun songs for me to play on guitar.

What’s the biggest crap hole you ever played, and why? -@Hotrodrjr

MURRY: There was a show we did early on in Boston where we were like number four on a five-band punk rock bill. We played in the middle of the night, and I had the flu real bad. THAT was a total shithole, but we’ve played a few dozen shitholes, mostly early on.

KEN: Hmmmmmmmmmm… We’ve played our fair share. One of the worst gigs I remember was us and Slobberbone in about 1999 in Albany, New York at some place that was upstairs a narrow hallway. We were on Elektra at the time and there were some reps in the club putting up balloons, streamers and posters in order to get the local radio station to play our song (probably “Murder”). The show was a complete stiffer. Ten people showed, at best. I remember looking at a security guard who had been hired to keep the screaming throngs off of the stage was sitting in a chair in front of me with his hands over his ears and staring at the floor. To top it all off some local waitresses got on the bus that night. One of them was blown away that we had toured with Third Eye Blind and kept going on and on about how cool that must have been. Just a looooong night.

I’d like the backstory to Rhett’s once missing, now gold tooth. -Wende from KS

MURRY: He busted his teeth out on the fork of a four-wheeler during his teenage years. It was pretty gnarly, as the kids say…

How did Holy Cross get left off of TFTC? It’s the most underrated 97′s song. -Nicolai Dunger

MURRY: It’s a great song all right. Not sure why—it might have just been outnumbered by all the other good songs, but I don’t remember…

Does anyone have a dog, and if so, what kind? -Sandy Melhorn

MURRY: I have a wired-haired dachsund named Buck. He’s brown and very cute.
KEN: We have three cats and a few fish.

You guys remember Studio D? Saw lots of bands there. -Skip McCraw

MURRY: Frank Campagna! I just talked about Studio D in a recent interview. I saw my first real hardcore show there August 6, 1982. I had just turned 18. Dead Kennedys, MDC, Stickmen with Rayguns, Butthole Surfers as a three-piece, and the Hugh Beaumont Experience. DK’s went on about 2:30 in the morning, and I didn’t get back to my parents’ house until almost 6am, because I had to drive over an hour to get back home. I was in a serious bunch of trouble for that, but it was one of those life-changing nights that was so worth it.


  1. To correct Murry’s response re my GOLD TOOTH:
    I knocked it out on a microphone in Chumley’s in the early 90’s as I extracted said microphone from my mouth while covering a Cramps song during a VERY drunken encore. There was blood.
    I thought I deserved a trophy of sorts. Hence the gold tooth.

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